Sandra Vásquez de la Horra (b. 1967 in Chile; lives and works in Berlin) studied at the Kunstakademie Düsseldorf before attending the Kunsthochschule für Medien in Cologne. She is the recipient of the Käthe Kollwitz Prize (2023); the Hans Theo Ritcher Prize (2021); and The Guerlain Prize (2019). Recent exhibitions include solo presentations at Akademie der Künste, Berlin (2024); Sprovieri Gallery, London (2022); Sächsische Akademie der Künste, Dresden (2021); and Museo Novecento, Florence(2019); and group exhibitions at the 59th International Art Exhibition of la Biennale di Venezia, Venice (2022) and the Drawing Biennial, London (2019), among others. Her work is also featured in institutional collections including the Centre Pompidou, Paris; Tate, London; Pinakothek der Moderne, München; Museum Kunst Palast, Düsseldorf; and The Philadelphia Museum of Art.

Raphael Fonseca is a curator and head of the department of modern and contemporary Latin American art at the Denver Art Museum. He holds a PhD in criticism and art history from the State University of Rio de Janeiro. The juxtaposition of different temporalities and how this can trigger contemporary reflections for audiences is crucial in his practice. Recently, he curated “Fullgas: visual arts and the 1980s in Brazil” (2024) in all venues of Centro Cultural Banco do Brasil and the 14th Mercosur Biennial: Snap, in Porto Alegre, Brazil (2025). He is part of the curatorial ensemble of Counterpublic 2026, a Triennial of visual arts held in St. Louis, USA. He works with artists from everywhere, but with a more significant focus on the ones born and/or based in the so-called Global South.

Amanda Sroka is a curator whose creative work focuses on global histories of contemporary art with a specialized interest in interdisciplinary practices that operate at the intersections of our personal, political, and material worlds. In 2022, she joined as the Senior Curator at the Institute of Contemporary Art, Los Angeles where she has organized presentations dedicated to the work of Carmen Argote, Jackie Castillo, Chris Emile and No)One. Art House, Will Rawls, Christine Sun Kim, Trương Công Tùng, and Alberta Whittle, and supported with Scientia Sexualis (2024), Barbara T. Smith: Proof (2023), and Milford Graves: Fundamental Frequency (2023). She was previously Associate Curator of Contemporary Art at the Philadelphia Museum of Art where she organized solo projects with Lawrence Abu Hamdan, Martine Syms, Zoe Leonard, Senga Nengudi, Marisa Merz, Yael Bartana, and Jitish Kallat, as well as group exhibitions such as Fault Lines: Contemporary Abstraction by Artists from South Asia. Prior to that, Sroka was a curatorial assistant at the New Museum in New York.