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Institute of Contemporary Art, Los Angeles

  • Exhibitions
    • Current
    • Upcoming
    • Past
  • Calendar
  • Learning
    • Digital Projects
    • Public Programs
    • Schools & Community
    • Special Projects
  • Residencies
    • Artists In Residence
    • Bookshelf Residence
    • Field Workshop
  • Visit
  • About
    • Staff
    • Governance
    • Press
    • Partnerships
    • Opportunities
    • Annual Report
  • Shop
  • Get Involved
    • Incognito
    • Membership
    • Patron Groups
    • Institutional Support
    • Artist Edition Series
    • Sustainability
    • Corporate
  • Donate
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Back To Exhibitions
Raven Sanchez: Así Sea/So Be It April 04, 2026 ➽ August 23, 2026
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Raven Sanchez: Así Sea/So Be It April 04, 2026 ➽ August 23, 2026

Raven Sanchez: Así Sea/So Be It

On view in ICA LA’s Project Room will be the first institutional exhibition by Los Angeles artist Raven Sanchez (b. 1992, Los Angeles, CA), who works across media to consider the relationship between place, memory, and community. Grounded in her own family history, she pays particular attention to the richness and specificities of L.A.’s communities of color, pointing to their reverberant cultural and sociopolitical influence.
Sanchez’s grandparents (foreground) and family members pose in front of 661 Findlay Ave., East Los Angeles after plastering their family home. Original Polaroid Land Photograph, 1974. Image courtesy the artist.

For her presentation at ICA LA, Sanchez will debut an installation titled Así Sea/So Be It. At the project’s core is a series of over 200 wax rubbings the artist produced of her grandparents’ home in East Los Angeles. The structure’s exterior was hand-stuccoed in 1974 by Sanchez’s grandfather, who moved to the U.S. from Tijuana, Baja California, where he learned his trade. After living in the home for over 50 years, the family made the difficult decision to sell; an outcome of her grandparents’ passing and the economic impacts of a rapidly gentrifying neighborhood. Made in multigenerational collaboration with her mother and aunts, the rubbings document the home’s plaster exterior—fitted with ornamental wrought iron—as well as its interior details and plant matter from the surrounding garden.

While Sanchez’s work points to a human impulse to preserve, her approach embraces this impossibility, rendering visible the realities of loss while honoring the intangible feelings, experiences, and encounters that bring a house to life. As both a material record and an embodied ritual of grief and remembrance, Así Sea/So Be It reimagines archival practice as a tool for care, connection, and reclamation.

Credits & Sponsors
About the Artist
Raven Sanchez: Así Sea/So Be It is organized by Emilia Shaffer-Del Valle, Curatorial Associate, with support from Amanda Sroka, Senior Curator, and research support provided by Amelie Wu, Getty Marrow Curatorial Intern.
Raven Sanchez is a multidisciplinary artist from Los Angeles exploring memory and place through painting, sculpture, and process-based works. Sanchez’s art practice focuses on domestic labor and ancestral memory as it is held in the body and in materials. Incorporating elements such as charcoal, sand, rocks, iron, plants, and dried organic matter, she uses the process of rubbing as a way to activate and deepen her examination of fragmentation, loss, abstraction, and vignettes of family. Sanchez studied Sociology and Latin American Studies at the University of San Francisco and has pursued art-making outside of institutional frameworks through artist-run and community spaces in Los Angeles and San Francisco. Sanchez currently lives and works in Los Angeles.
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Database Exhibitions
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STATUS ID Title Start date End date Featured image Last updated
Active Published
130 Carmen Argote: I won’t abandon you, I see you, we are safe 2023-06-10 2023-09-10
Icala 2023 06 12 042
2:40pm Aug 17, 2023 Page
Active Published
131 Alberta Whittle: between a whisper and a cry 2023-06-10 2023-09-10
Aw 1
10:44am Jul 29, 2023 Page
Active Published
126 Milford Graves: Fundamental Frequency 2023-02-11 2023-05-14
Icala 2023 02 14 039
1:31pm Nov 04, 2025 Page
Active Published
127 Jacqueline Kiyomi Gork 2023-02-11 2023-05-14
Icala 001
1:14pm May 04, 2023 Page
Active Published
128 Christine Sun Kim: Bounce Back 2023-02-11 2024-01-14
Icala 2023 02 14 001
11:42am Feb 19, 2025 Page
Active Published
91 Rebecca Morris: 2001–2022 2022-10-01 2023-01-15
Image of exhibition introduction text, Rebecca Morris painting hands in the background.
1:10pm Apr 01, 2024 Page
Active Published
92 My Barbarian 2022-10-01 2023-01-15
Icala 2022 10 06 004
4:57pm Nov 08, 2022 Page
Active Published
90 The Condition of Being Addressable 2022-06-18 2022-09-04
Icala 06.20.220449 edit
12:07pm Aug 04, 2022 Page
Active Published
125 Aquelarre no binario / Non-binary coven 2022-06-08 2023-01-15
View of ICA LA courtyard mural by Ad Minoliti featuring four vertical panels, each filled with abstracted representations of figures in vivid reds, yellows, oranges, purples, and pinks.
9:13pm Jan 19, 2023 Page
Active Published
87 Jamal Cyrus: The End of My Beginning 2022-02-05 2022-05-29
Installation view, "Jamal Cyrus: The End of My Beginning," Institute of Contemporary Art, Los Angeles, February 5–May 29, 2022. Photo: Jeff McLane/ICA LA
12:18pm Jul 06, 2022 Page
Active Published
88 Sara Cwynar: Apple Red/Grass Green/Sky Blue 2022-02-05 2022-05-29
Sara Cwynar, "Glass Life," 2021. Six channel 2K video with sound, TRT: 19:02 min. Courtesy the artist; The Approach, London; Cooper Cole, Toronto; and Foxy Production, New York. Installation view, "Sara Cwynar: Apple Red/Grass Green/Sky Blue," Institute of Contemporary Art, Los Angeles, February 5–May 29, 2022. Photo: Jeff McLane/ICA LA
5:53pm May 03, 2022 Page
Active Published
83 Witch Hunt 2021-10-10 2022-01-09
Installation view of Witch Hunt, Institute of Contemporary Art, Los Angeles, October 10–January 9, 2022.
12:41pm May 29, 2025 Page
Active Published
89 Minerva Cuevas: Female Earth 2021-10-10 2022-06-02
Icala witchhunt 2021 10 12 077 (1)
10:47am May 24, 2022 Page
Active Published
81 Queer Communion:
Ron Athey
2021-06-19 2021-09-05
Icala 2021 07 02 009
10:15pm Sep 01, 2021 Page
Active Published
82 Kenneth Tam:
Silent Spikes
2021-06-19 2021-09-05
Icala 2021 07 02 002
11:12am Aug 03, 2021 Page
Active Published
80 The Inconstant World 2021-03-06 2021-05-30
Tiw horvitz
9:42am Dec 22, 2021 Page
Active Published
79 Online Screening: Stanya Kahn’s No Go Backs and Earlier Works 2020-12-09 2021-01-10
Sk1b
4:13pm Jan 22, 2021 Page
Active Published
77 Harold Mendez:
Let us gather in a flourishing way
2020-09-26 2021-01-10
Icala 2020 10 05 014
3:17pm Feb 07, 2022 Page
Active Published
78 Stanya Kahn:
No Go Backs
2020-09-26 2021-01-10
Sk1a
6:46pm Dec 04, 2020 Page
Active Published
69 Ree Morton:
The Plant That Heals May Also Poison
2020-02-16 2020-07-19
Icala 2020 03 06 025
1:06pm Jan 18, 2022 Page
Active Published
74 Ann Greene Kelly 2020-02-16 2020-07-19
Icala 2020 03 06 001
1:06pm Jan 18, 2022 Page
Active Published
75 Agency of Assets x El Clasificado 2019-12-06 2020-01-26
Meztly cover
4:32pm Dec 02, 2021 Page
Active Published
73 CURRENT:LA FOOD Public Art Triennial 2019 2019-10-05 2019-11-03
CURRENT:LA FOOD
11:04am Oct 07, 2019 Page
Active Published
67 No Wrong Holes:
Thirty Years of Nayland Blake
2019-09-29 2020-01-26
Ica blake 5
3:57pm Oct 21, 2020 Page
Active Published
72 Sadie Barnette:
The New Eagle Creek Saloon
2019-09-29 2020-01-26
Ica barnette 7
5:36pm Aug 26, 2020 Page
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