The Plant That Heals May Also Poison February 16, 2020 ➽ July 19, 2020
Ree Morton:
The Plant That Heals May Also Poison
The Plant That Heals May Also Poison is the first major United States exhibition of artist Ree Morton (1936-1977) in nearly four decades. The exhibition features several rarely seen works, including a selection of installations, drawings, sculptures, paintings, and archival materials which span a single decade of artistic production before Morton’s untimely death in 1977.
Throughout her career, Morton produced a philosophically complex body of work rich in emotion. Though celebrated by peers and younger artists, Morton’s influence on contemporary art remains considerable yet muted, her legacy widely underrecognized. The eclectic arc of Morton’s practice was rooted in Postminimalism, the inclusion of personal narrative—through literary, theoretical, and autobiographical references—and use of bold color and theatrical imagery infused her objects with sly humor and a concern with the decorative, generating a feminist legacy increasingly appreciated in retrospect. Reimagining tropes of love, friendship, and motherhood, while radically asserting sentiment as a legitimate subject of artmaking, Morton’s conceptually rigorous work demonstrates generosity towards the viewer, its spirit of playfulness and joy inflecting all aspects of the exhibition.
Organized by the Institute of Contemporary Art, University of Pennsylvania, the exhibition is accompanied by a fully illustrated catalogue co-published with Dancing Foxes Press with texts by Kate Kraczon, the exhibition’s curator; artist Nayland Blake; Kathryn Gile; and scholars Roksana Filipowska and Abi Shapiro.
Please note: this exhibition has been extended due to ICA LA’s closure in response to the local and statewide COVID-19 stay-at-home order.
Ree Morton received her BFA from the University of Rhode Island in 1968 and an MFA from the Tyler School of Art at Temple University in 1970. During her lifetime, her work was exhibited at Artists Space, New York (1973); the Whitney Museum of American Art, New York (1974); and the South Street Seaport Museum, New York (1975). She was twice included in the Whitney Biennial, once in 1973 and again in 1977. She has since had retrospectives at the New Museum, New York (1980); the Generali Foundation, Vienna (2008); the Drawing Center, New York (2009); and the Reina Sofia, Madrid (2015).
Virtual ICA LA: Ree Morton
360° exhibition documentation of Ree Morton: The Plant that Heals May Also Poison
Curators in Conversation
Kate Kraczon, curator of Ree Morton: The Plant That Heals May Also Poison and Jamillah James, ICA LA Curator
Sunday, February 16, 2020
