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Institute of Contemporary Art, Los Angeles

  • Exhibitions
    • Current
    • Upcoming
    • Past
  • Calendar
  • Learning
    • Artist Residency
    • Bookshelf Residency
    • Digital Projects
    • Public Programs
    • Schools & Community
    • Special Projects
  • Visit
  • About
    • Staff
    • Governance
    • Press
    • Partnerships
    • Opportunities
    • Annual Report
  • Shop
  • Get Involved
    • Membership
    • Patron Groups
    • Institutional Support
    • Artist Edition Series
    • Sustainability
    • Corporate
  • Donate
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Back To Exhibitions
An Incessant Unknowability: An Archive of Protest Inspired Typography and Its Open Source Uses December 04, 2024 ➽ March 02
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An Incessant Unknowability: An Archive of Protest Inspired Typography and Its Open Source Uses December 04, 2024 ➽ March 02

An Incessant Unknowability: An Archive of Protest Inspired Typography and Its Open Source Uses

An Incessant Unknowability: An Archive of Protest Inspired Typography and It’s Open Source Uses is an exhibition created for ICA LA’s Annex gallery in conjunction with the Bookshelf Residency with GenderFail. The installation is based entirely on a publication of the same name in early 2024 by GenderFail. It presents the ongoing series of open-source fonts sourced from and inspired by protest signs of events since the Stonewall Riots in 1969.

This exhibition features 12 risograph printed font specimen posters to showcase ten protest fonts created since 2018. Every time these fonts are used in a poster, publication, or graphic, their source is incendiary linked to its source materials—fonts sourced from protests for Free Palestine, the historic Seize Control of the FDA action for ACT UP, The Brooklyn Liberation March for Black Trans Lives in 2020 during the pandemic; protests for fair union contracts for adjunct or support staff at RISD and Parsons;  the unending protest signs of black people murdered by police or a single protest sign stating “MOTHER NATURE IS A LESBIAN” and “I AM YOUR WORST FEAR I AM YOUR BEST FANTASY.” The history of these events lives on each time future generations of Queer, trans, and non-binary people use the font.

Twenty-five open-source work examples printed exclusively for this exhibition are also featured. These works thematically and broadly fit into four categories: personal, collective, institutional, and protest. All featured works were created by others using the open-source permission model, which allows participants to use these open-source fonts freely for their own personal, fundraising, or for-profit purposes.

Download the fonts yourself at genderfailpress.info.

A commissioned essay by emily sara of Cripple, the artist’s purposely non-linear publishing initiative supporting disabled artists and designers, is also on view. sara presents their new protest-inspired font, 504 font, with letters pulled from posters of the 504 Protests. sara states:

“Only ABCDEFGHIJKLMNOPQRSTUVWXYZ and 504 and ! are available. Z, missing from the documentation, is an image of Judy Heumann—who continues to live on through the protests and the innate fiery nature of our crippled community.“

In conjunction with An Incessant Unknowability: An Archive of Protest Inspired Typography and Its Open Source Uses, Genderfail has compiled all 12 risograph prints included in the exhibition for sale in a limited edition of 25. The print collection can be purchased at the ICALA until March 02, 2025, or online directly through GenderFail.

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An Incessant Unknowability: An Archive of Protest Inspired Typography and It’s Open Source Uses, Institute of Contemporary Art, Los Angeles (October 5, 2024–March 2, 2025). Photo: Jeff McLane/ICA LA
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Database Exhibitions
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STATUS ID Title Start date End date Featured image Last updated
Active Published
62 Adrian Piper
What It’s Like, What It Is #3
2018-10-07 2019-01-06
1991 what its like 3
12:12pm Jul 16, 2019 Page
Active Published
61 Agency of Assets:
Reality Augmented
2018-09-30 2019-01-06
Agencyofassets
1:44pm Apr 07, 2020 Page
Active Published
4 B. Wurtz:
This Has No Name
2018-09-30 2019-02-17
Wurtz install 05
4:54pm Apr 09, 2020 Page
Active Published
6 Nina Chanel Abney:
Royal Flush
2018-09-23 2019-01-20
Abney install 02
11:58am Jul 16, 2019 Page
Active Published
2 This Brush for Hire: Norm Laich & Many Other Artists 2018-06-03 2018-09-02
Brush for hire 14
9:02am Dec 06, 2021 Page
Active Published
20 sisters and brothers 2018-04-22 2018-06-17
Brothers & sisters 02
11:54am Jul 16, 2019 Page
Active Published
18 rafa esparza: de la Calle 2018-04-22 2018-07-15
Rafa esparza install 02
11:46am Aug 03, 2021 Page
Active Published
9 Grandfather: A Pioneer Like Us (1974) 2018-02-04 2018-04-22
Szeeman install 10
11:49am Jul 16, 2019 Page
Active Published
8 Skip Arnold: Truffle Hunt 2018-01-28 2018-04-08
Arnold install 11
11:45am Jul 16, 2019 Page
Active Published
1 Martín Ramírez: His Life in Pictures, Another Interpretation 2017-09-09 2017-12-31
Ramirez install 02
6:55pm Apr 02, 2020 Page
Active Published
7 Abigail DeVille: No Space Hidden (Shelter) 2017-09-09 2018-01-14
Deville install 02
11:37am Jul 16, 2019 Page
Active Published
5 Sarah Cain: Now I’m going to tell you everything 2017-09-09 2018-03-11
Ica cain 2017 09 06 001
1:19pm Nov 16, 2021 Page
Active Published
11 Moshe Ninio:
Rainbow:Rug
2015-01-17 2015-04-02
1
11:39pm Sep 22, 2017 Page
Active Published
10 Brian Weil, 1979–1995:
Being in the World
2015-01-17 2015-04-18
1
11:40pm Sep 22, 2017 Page
Active Published
12 Citizen Culture: Artists and Architects Shape Policy  2014-09-13 2014-12-13
1
11:38pm Sep 22, 2017 Page
Active Published
13 Anri Sala: Dammi i Colori  2014-09-12 2014-11-08
1
11:34pm Sep 22, 2017 Page
Active Published
14 Robert Swain: The Form of Color  2014-05-17 2014-08-23
1
4:59pm Mar 08, 2018 Page
Active Published
15 Nonfictions: Jeremiah Day/Simone Forti/Fred Dewey  2014-05-17 2014-08-23
3
11:38pm Sep 22, 2017 Page
Active Published
17 Xylor Jane: Sea Legs 2014-01-18 2014-04-05
Xylor jane 017
5:08pm Mar 08, 2018 Page
Active Published
16 Keltie Ferris: Doomsday Boogie 2014-01-17 2014-04-05
Keltie ferris 021
5:07pm Mar 08, 2018 Page
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