Of the work and ideas of Daniel J. Martinez, Peter Sellars has said: “He is one of the most important and articulate artists of his generation.” This monograph documents projects from 1979-1995, including his controversial and thought-provoking public artworks. His cross-media cultural production is conceptual in its use of language and approach to photography, video, film, sculpture, installations, and performance. Writings by David Levi Strauss, Coco Fusco, Mary Jane Jacob, and Susan Otto.