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Institute of Contemporary Art, Los Angeles

  • Exhibitions
    • Current
    • Upcoming
    • Past
  • Calendar
  • Learning
    • Public Programs
    • Artist Residency
    • Special Projects
    • Digital Projects
    • Schools / Community
  • Visit
  • About
    • Staff
    • Governance
    • Press
    • Partnerships
    • Opportunities
    • Annual Report
  • Shop
  • Incognito
  • Get Involved
    • Join
    • Institutional Support
    • Artist Edition Series
    • Incognito
    • Sustainability
    • Corporate
  • Donate
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Back To Exhibitions
September 23, 2018
➽
January 20, 2019
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Back To Exhibitions
September 23, 2018
➽
January 20, 2019

Nina Chanel Abney:
Royal Flush

Exhibitions
Abney install 02
6 Images

Nina Chanel Abney: Royal Flush is the first solo museum exhibition of Chicago-born Nina Chanel Abney (b. 1982), and a ten year survey of the artist’s paintings, watercolors, and collages. Abney is at the forefront of a generation of artists that is unapologetically revitalizing narrative figurative painting, and as a skillful story-teller, she visually articulates the complex social dynamics of contemporary urban life. Her works are informed as much by mainstream news media as they are by animated cartoons, video games, hip-hop culture, celebrity websites, and tabloid magazines. She draws on these sources to make paintings replete with figures, numbers, and words that appear to have tumbled onto the canvas with the stream-of-consciousness immediacy of text messages, pop-up windows, a Twitter feed, or the scrolling headlines of an incessant 24-hour news cycle. By engaging loaded topics and controversial issues with irreverence, humor, and lampooning satire, Abney’s works are both pointed contemporary genre scenes as well as scathing commentaries on social attitudes and inequities.

In Los Angeles, the exhibition will be presented jointly by the Institute of Contemporary Art and the California African American Museum. The exhibition will then travel to its final venue, Neuberger Museum of Art, Purchase College, State University of New York in spring 2019. Royal Flush is accompanied by a full-color catalogue, highlighting the most important and iconic works of the past 10 years by Nina Chanel Abney with essays by exhibition curator Marshall Price, Nancy Hanks Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University, Durham, North Carolina; Jamillah James, Curator, the Institute of Contemporary Art, Los Angeles; Natalie Y. Moore, Chicago Public Media, WBEZ; and Richard J. Powell, John Spencer Bassett Professor of Art and Art History at Duke University.

News
Credits & Sponsors
Media
October 15, 2018, 2018
Nina Chanel Abney’s Intricately Dense and Critically Clear Painting
December 30, 2018, 2018
Royal Flush
September 29, 2018, 2018
‘Royal Flush’: Artist Nina Chanel Abney Debuts in Los Angeles at Two Museums
October 05, 2018, 2018
‘People are sometimes mad at me’: behind Nina Chanel Abney’s provocative art

Organized by Marshall N. Price, Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art for the Nasher Museum of Art at Duke University, Durham, North Carolina.

The Los Angeles presentation of Nina Chanel Abney: Royal Flush is co-presented by the Institute of Contemporary Art, Los Angeles and the California African American Museum (CAAM), and is organized by Jamillah James, Curator, ICA LA and Naima J. Keith, Deputy Director and Chief Curator, California African American Museum.

Nina Chanel Abney: Royal Flush at ICA LA is made possible thanks to support from the Good Works Foundation and Laura Donnelley, Patricia A. Quick Charitable Trust, and Berry Stein.

Major support for ICA LA and CAAM’s co-presentation is provided by Friends of Nina Chanel Abney: Beth Rudin DeWoody, Kyle DeWoody, Bettina Korek, Sarah and Joel McHale, Marla and Jeffrey Michaels, and V. Joy Simmons, MD.

Additional support is provided by Jack Shainman Gallery.

Interview with Nina Chanel Abney on the occasion of Nina Chanel Abney: Royal Flush. Video courtesy the Nasher Museum of Art at Duke University.
Images
Abney install 02
Abney install 03
Abney install 11
Abney install 06
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Abney install 07
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Installation view of Nina Chanel Abney: Royal Flush
Institute of Contemporary Art, Los Angeles. September 23, 2018–January 20, 2019
Photo: Brian Forrest/ICA LA
Nasher abney ivy and the janitor
Nasher abney thieves guild in oblivion
Nasher abney untitled (yo 123)
Abney 7
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Last updated at Tuesday, 16 Jul 2019 11:58 AM, by Jamillah James Log in
Database Exhibitions
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STATUS ID Title Start date End date Featured image Last updated
Active Published
87 Jamal Cyrus: The End of My Beginning 2022-02-05 2022-05-29
Installation view, "Jamal Cyrus: The End of My Beginning," Institute of Contemporary Art, Los Angeles, February 5–May 29, 2022. Photo: Jeff McLane/ICA LA
5:53pm May 03, 2022 Page
Active Published
88 Sara Cwynar: Apple Red/Grass Green/Sky Blue 2022-02-05 2022-05-29
Sara Cwynar, "Glass Life," 2021. Six channel 2K video with sound, TRT: 19:02 min. Courtesy the artist; The Approach, London; Cooper Cole, Toronto; and Foxy Production, New York. Installation view, "Sara Cwynar: Apple Red/Grass Green/Sky Blue," Institute of Contemporary Art, Los Angeles, February 5–May 29, 2022. Photo: Jeff McLane/ICA LA
5:53pm May 03, 2022 Page
Active Published
83 Witch Hunt 2021-10-10 2022-01-09
Installation view of Witch Hunt, Institute of Contemporary Art, Los Angeles, October 10–January 9, 2022.
11:51am Apr 01, 2022 Page
Active Published
89 Minerva Cuevas: Female Earth 2021-10-10 2022-05-01
Icala witchhunt 2021 10 12 077 (1)
9:55am Mar 01, 2022 Page
Active Published
81 Queer Communion:
Ron Athey
2021-06-19 2021-09-05
Icala 2021 07 02 009
10:15pm Sep 01, 2021 Page
Active Published
82 Kenneth Tam:
Silent Spikes
2021-06-19 2021-09-05
Icala 2021 07 02 002
11:12am Aug 03, 2021 Page
Active Published
80 The Inconstant World 2021-03-06 2021-05-30
Tiw horvitz
9:42am Dec 22, 2021 Page
Active Published
79 Online Screening: Stanya Kahn’s No Go Backs and Earlier Works 2020-12-09 2021-01-10
Sk1b
4:13pm Jan 22, 2021 Page
Active Published
77 Harold Mendez:
Let us gather in a flourishing way
2020-09-26 2021-01-10
Icala 2020 10 05 014
3:17pm Feb 07, 2022 Page
Active Published
78 Stanya Kahn:
No Go Backs
2020-09-26 2021-01-10
Sk1a
6:46pm Dec 04, 2020 Page
Active Published
69 Ree Morton:
The Plant That Heals May Also Poison
2020-02-16 2020-07-19
Icala 2020 03 06 025
1:06pm Jan 18, 2022 Page
Active Published
74 Ann Greene Kelly 2020-02-16 2020-07-19
Icala 2020 03 06 001
1:06pm Jan 18, 2022 Page
Active Published
75 Agency of Assets x El Clasificado 2019-12-06 2020-01-26
Meztly cover
4:32pm Dec 02, 2021 Page
Active Published
73 CURRENT:LA FOOD Public Art Triennial 2019 2019-10-05 2019-11-03
CURRENT:LA FOOD
11:04am Oct 07, 2019 Page
Active Published
67 No Wrong Holes:
Thirty Years of Nayland Blake
2019-09-29 2020-01-26
Ica blake 5
3:57pm Oct 21, 2020 Page
Active Published
72 Sadie Barnette:
The New Eagle Creek Saloon
2019-09-29 2020-01-26
Ica barnette 7
5:36pm Aug 26, 2020 Page
Active Published
70 Hervé Tullet: Ideal Exhibition 2019-07-14 2019-09-08
Icala96194
11:32am Dec 07, 2021 Page
Active Published
71 Worldwide Orphans: Element of Play® 2019-07-14 2019-09-08
Worldwide Orphans: Element of Play® program in Vietnam.
12:42pm Dec 07, 2021 Page
Active Published
68 Brognon-Rollin:
Maybe Some Of Us Will Change This
2019-03-17 2019-06-30
Img 8214 3
2:28pm Nov 17, 2020 Page
Active Published
63 Patty Chang:
The Wandering Lake, 2009–2017
2019-03-17 2019-08-04
Ica chang 24
3:05pm Oct 01, 2019 Page
Active Published
19 Maryam Jafri:
I Drank the Kool-Aid But I Didn’t Inhale
2019-02-10 2019-06-30
Icla2.12.19 60
4:45pm Apr 09, 2020 Page
Active Published
64 Lucas Blalock:
An Enormous Oar
2019-02-10 2019-08-04
Icla2.12.19 95
4:52pm Apr 09, 2020 Page
Active Published
62 Adrian Piper
What It’s Like, What It Is #3
2018-10-07 2019-01-06
1991 what its like 3
12:12pm Jul 16, 2019 Page
Active Published
61 Agency of Assets:
Reality Augmented
2018-09-30 2019-01-06
Agencyofassets
1:44pm Apr 07, 2020 Page
Active Published
4 B. Wurtz:
This Has No Name
2018-09-30 2019-02-17
Wurtz install 05
4:54pm Apr 09, 2020 Page
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