We’ve been waiting so long, so expectantly for the poetry of Olvido García Valdés to appear in English translations that convey her signal importance to contemporary poetry in Spain and to international literature. She is one of the great ones. García Valdés taps a mode as essential as the Virgilian pastoral. She pressurizes and opens vents in the syntax, inciting eruptions in logic, emphasizing somatic connections between flesh and world. Characteristically, she braids underdetermined phrasal strands, agencies, points of view, and conceptual and emphatically sensual registers. While absence and negation are key themes in her work, the poems can be sharply funny and they come, against the darkness of our times, to assert a convincing spiritual buoyancy.

With an ear keenly tuned to García Valdés‘ complex music, translator Catherine Hammond often leads with the verb in English, tuning to the Spanish and keeping the agency of the verb open, recreating the stripped down and exigent quality of the original, a quality intensified by the Spanish poet’s tendency to juxtapose fragments without subordinating one to the other. This is an important book. You’ll know that as soon as you begin to read the poems. —Forrest Gander